K-52. Cyanotype print with 4 negatives. Sodium hydroxide applied by hand after printing. on Pure Silk White paper, 62gsm. May 2026. 100x66cmFamily fossil. Silver nitrate print with 1 negative. Soil chromotography (organic matter derived from fossil found along Charmouth beach) applied after printing. On Awagami Hosho paper, 80gsm. May 2026. 87x65cmAll flowers in time bend towards the sun. Cyanotype & Silver nitrate print with 3 negatives. Soil chromotography (organic matter derived from fossil found along Charmouth beach) applied after printing. On Pure Silk White paper, 62gsm. May 2026. 100x66cm.A history of spirals. Cyanotype print on awagami Hosho paper, 80gsm. May 2026 87x65cm Language in the soil. Soil chromatography (organic matter derived from fossil found along Charmouth beach) and silver nitrate print with 1 negative. On Shikainami paper, 28gsm. May 2026. 42x32cm.Entropy is evolution in reverse.Cyanotype print. Sodium hydroxide applied after printing. On Yuki paper, 65gsm. May 2026. 94x64cm.
Underneath the beach. Soil chromatography (organic matter derived from clay found at the Glen Moore Beach clay deposit) and silver nitrate print. On Shikainami paper, 28gsm. May 2026. 33x22cm.As the edge of the structure begins to dissolve. Pastel, acrylic, varnish, clay, raw pigment, cyanotype and silver nitrate on canvas. October 2025. 90x120x2cmLincoln the dog. Cyanotype print with graphite. Sodium hydroxide applied after printing. On canvas. April 2026. 40.5×30.5x2cm.Cracks in the window. Cyanotype print with graphite. Sodium hydroxide applied after printing. On canvas. April 2026. 40.5×30.5x2cm.Peel castle excavation 1.1. Cyanotype print. Varnish. Clay from the Glen Moore Beach clay deposit) applied after printing. On canvas. January 2026. 21x21x2cmPeel castle excavation 1.2. Cyanotype print. Pigment and varnish applied after printing. On canvas. December 2025/ 20.5×20.5x2cmArchipelago 1.1.Cyanotype print with 9 negatives. Cyanotype chemical and acrylic applied after printing. On canvas. February 2026. 61x46x2cmArchipelago 1.2.Cyanotype chemicals on canvas. Clay from the Glen Moore Beach clay deposit) applied after. January 2026. 45.5x36x2cmArchipelago 1.6. House paint, cyanotype print collage and varnish on canvas. Combinations of silver nitrate, raw pigment and plaster applied after and scraped by hand. October 2025. 86x117x4cmRing marks. Cyanotype print on canvas. Clay from the Glen Moore Beach clay deposit) applied after and scraped by hand. February 2026. 31x31x2cmStructure of a photograph.Cyanotype on canvas. Cyanotype chemical applied after by hand. February 2025. 45x41x4cmDrawings in the clay.Clay from the Glen Moore Beach clay deposit), pencil, ink, chalk & Silver nitrate on canvas. May 2022. 129.5×122.5×1.5cmArchipelago 1.3.Cyanotype print with tissue paper collage on wood. November 2024. 45×42.5x2cmA photograph of clay, salt & fossil.Soil chromatography (organic matter derived from clay found at the Glen Moore Beach clay deposit, Salt and fossil found along Charmouth beach) print. On Shikainami paper. April 2026. 95x64cmArchipelago 1.4. Tissue paper and etching print collage on canvas. Combinations of silver nitrate, pigment, cyanotype and oil applied later. April 2026. 80x150x2cmA window through a cyanotype photograph. Cyanotype print on canvas. May 2025. 100x90x2cmThe clay will Continue to crack &the flowers will continue to bloom.Acrylic, clay & Cyanotype on canvas. March 2026.A window through a silver nitrate photograph. Silver nitrate on canvas. May 2025. 122×96.5x4cm.On the edge of conversations About photography. Silver nitrate & cyanotype on canvas. May 2025. 126.5×91.5x4cm.A photograph of the spider plant in my studio.Cyanotype & Acrylic on canvas. May 2025. 126.5×91.5x4cm. The tree at the top of the hill.Clay, cyanotype & silver nitrate on canvas. April 2026. 30.5×40.5x2cm Archipelago 1.5.Mixed media on canvas. November 2024. 87x118x4cm